![]() ![]() For astrophotography, a lens like this will create stunning photographs at f/2.8, but for other genres of still photography or video when a deeper depth of field may be important, this lens may be overkill. As with all Sony lenses, autofocus is fast, accurate, and completely silent for both still and video shooting. ![]() Although it suffers from vignetting at f/2.8, the lens appears to be almost just as sharp at f/2.8 as it is at every other aperture. What you're truly paying for with this lens is sharpness at 12mm while shooting at f/2.8 throughout the frame, and this lens delivers. Build quality is impressive and the focus and zoom rings feel satisfyingly smooth. Sony 12-24mm f/2.8 ReviewĪt $,2900, the Sony 12-24mm f/2.8 is one of the most expensive lenses I've ever tested. Why were the prices of these lenses so different? I decided to get all three and put them to the test. Can the f/2.8 version really be worth an extra $1,100? I also discovered a Rokinon 14mm f/2.8 for just $529. When I started looking up lens options for my Sony cameras, I was shocked that there were only two lenses at 12mm with autofocus: the Sony 12-24mm f/2.8 for $2,900 and the Sony 12-24mm f/4 for $1,800. ![]() But did I need an ultra-fast lens for this job? Usually, when you're shooting small spaces, you want a deep depth of field, so I probably wouldn't be shooting at f/2.8 anyway. Although the rooms in this boat are gigantic compared to other boats, they are quite small compared to your average home, and to capture them fully, I needed an ultra-wide angle lens. A few weeks ago, I was hired to take photos and film a promo video for a new $12 million yacht. ![]()
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